Thursday, March 18, 2010

Anime Through The Ages

In the late 70’s early 80’s the television series Gundam, or Gundamu, was created. The director of this anime was Yoshiyuki Tomino, and it was produced by the animation company Sunrise. When the first Gundam movie was released in 1981 people called the event the Declaration of new age of Anime.



Indeed it was, up to this point Japanese animation had been thought of as a low quality and poorly made. People were starting to realize that anime wasn’t just made by noobs for noobs, but instead something that could be enjoyed by more than just the nation’s blinded population.



Gundam was definitely the most memorable anime of its time, winning tons of awards and keeping a story line that has lasted to this very day.



These are the anime that the laid the foundation of anime today, be thankful if it wasn’t for these we may not have seen half of the beautiful things today’s Otaku view on a daily basis.




Images from Here and Here.

Tuesday, March 9, 2010

Anime through the Ages- Part One



Anime through the Ages -Part One

Anime is a relatively new phenomenon, having just been created within the 20th centaury. Animation in sprung up in Japan during the sixties, and was very similar to western cartoons. Some examples of sixties anime would be;





Astroboy, or Tetsuwan Atom as it was called in Japan, was created by Osamu Tezuka in 1963


and shown in black and white for the first time. During the 50’s Astroboy got its start as a manga, or comic.










Gigantor is when anime truly becomes anime, it has robots and Lasers, what more does an Otaku need?
The original series has 96 episodes, but when translated at least 44 episodes were dropped during the translation to english.
The animation was created by TCJ (Television Corporation of Japan ), which is now nonexistent, in 1968.


Thursday, March 4, 2010

New Layout

Don't be scared, it's just a new layout, not a different site. I thought it looked more appealing than the last one and I decided to change it. Isn't spring a time of new beginings?

Sunday, February 7, 2010

Spirited Away Review

Spirited Away

This particular Miyazaki movie rightfully received an Oscar Award and 35 other various awards in the year 2003. But I’m sure Miyazaki would still be very excited if he knew that I was blogging about it, lol.

Alright, time to give you a description of what this movie’s about.

Spirited away is a Miyazaki movie. Though the intended audience for Miyazaki’s anime seems to be aimed towards children, this is a movie for people of all ages.

The movie starts off with introducing the viewer to an average ordinary family. The family consists of a mom, dad, and young daughter, Chihiro, who’s about the age of ten.

Chihiro is a semi-spoiled child who is first seen in the car, pouting about having to move into a new home. She makes faces and slumps while her parents ignore her, preferring to look at the road ahead instead of glancing into the back seat. While the family is on the main road her dad claims he knows a shortcut, even though he’s also new to the neighborhood.

They speed through a dirt road leading into the woods, father driving as if he has nothing to lose, then abruptly break when there’s a small stone sculpture in the center of their path. The rock object is sitting eerily by itself in front of a huge stone archway.

The family decides to get out and investigate, and realizes that the tunnel leads to a room that has another tunnel which leads to a field. Though Chihiro (the little girl) protests entering the tunnel in the first place, she is too scared to stay behind on her own and decides to follow her parents.

Her mom is confused and asks herself something along the lines of, “How did this place get here?” and her father answers as if he helped build the place. Something about it being an abandoned amusement park that went bankrupt.

They travel deeper, over a creek and through the meadow, until they reach a town. Once they enter the village they immediately smell food and sniff it out like drug dogs in Canada.

They find a smorgasbord of piping hot, well everything really, sitting upon a counter.

Nobodies there.

They yell for someone to come out from behind the counter but nobody turns up and the parents decide to serve themselves. Chihiro objects, they haven’t even asked if they could eat the food, but her dad says, “Don’t worry, Daddy’s got credit cards and cash.”

Reread what her father says if it didn’t quite process in your mind. His mentality is that being rude, or basically doing anything you want is okay, as long as you have the money to pay for it. This whole movie builds off this basic idea, with Chihiro believing this idea in the beginning, and learning through hard work and many trials that money doesn’t rule everything. It’s just another object.

Chihiro leaves the presence of her parents to wander the town for a while nervously. The day turns to evening and shadows begin to creep across the village. But the shadows aren’t the only things lurking around the town. Huge black blobs double the size of the panicking child slowly slide along their nightly schedule.

Chihiro sprints back to her parents only to find that they’ve been turned into mindless pigs. No doubt it is a metaphor to their hog like behavior. Chihiro gasps and sprints away from her mom and dad, she needed to get out of there. She realizes that she’s starting to become see through and rubs her skin frantically. She then meets a boy who tells her to eat a small red berry, assuring her that it won’t turn her into a pig but she had to eat it. She does what she’s told and her body becomes solid again.

The boy leads her to the center of the town, a thriving and popular bath house. To get inside they need to cross a long bridge, the boy tells her to stay behind him and no matter what not to breathe until they cross the bridge. Strange creatures and spirits went in and out of the bath house and Chihiro is about ready to have a heart attack. Just as they about clear the bridge a frog in a Japanese style shirt greets the boy…

OMFG THAT THING TALKS!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

That’s what I believe was going through Chihiro’s head as she gasped. However gasping is breathing, and they were still on the bridge. The frog could now see her and exclaimed “A HUMAN?” Luckily nobody else heard and Haku (the boy) casts a stun spell on the annoying amphibian.

Haku gave Chihiro orders, she needed to get to the bottom of the bath house and beg the man/spider/thing in the boiler room for a job, any job at the bath house at all.

She faces her fears and runs all by herself down freakishly brittle and steep stairs, already learning more about self reliance and bravery than she knew in the beginning of the movie.

The boiler man declines her beg for a job, he has workers, enchanted soot balls that put coal in the flames for him. If they don’t work then the spell will wear off and they will die. It makes you wonder if this is a reflection on society, are we just mindless soot balls? Do you think they might just rather to be dust?

However Chihiro pleads longer and she’s proven to be a professional when comes to whining to get her way. He calls a girl downstairs who works in the Bath house above. She’s dressed in her workers clothing and agrees to take Chihiro under her wing in exchange for her favorite food, roasted salamander…

She soon becomes an older sister to Chihiro, and takes care of her. Chihiro learns that this girl depends on her to help her work and decides to try, the most difficult thing she’s ever done in her pampered life.

The Movie continues to show that its hard work and good character that make a difference and not the money that comes from it when a blob with a mask appears named No Face.

No Face offers chunks of solid gold to Chihiro and she rejects the offer, not going to lie, I would probably take it. This may be the first time anyone’s ever rejected his gifts. This is a good thing though because later on we find out that these are not gifts but payments. He eats the people who accept his gold, it is a bit more of an outright statement that money doesn’t make everything better than what happened to Chihiro’s parents. When No Face doesn’t understand this, he becomes a mindless monster.

I love this movie for its art, metaphors, and sound track, like most Miyazaki movies I give Spirited Away a ten out of ten.

Monday, January 25, 2010

Miyazaki Movies



Miyazaki Movies

Alright, after my last review of Princess Mononoke flowed so well I’ve decided to do a chain review of Miyazaki movies. Almost all of his movies are top-notch five out of five star material, but I’ll even try to watch the ones that don’t really interest me (I’m talking to you Porco Rosso). The list will include:
11. Lupin III


10. Castle in the Sky


9. Porco Rosso


8. Howl's Moving Castle


7. Whisper of the Heart


6. Kiki's Delivery Service


5. Ponyo


4. Princess Mononoke


3. Totoro


2. Nausicaa


1. Spirited Away
I look forward to using this as a chance to learn more and appreciate more about this amazing anime creator.


(Image taken from www.miyazakimania.com)

Sunday, January 24, 2010

Funny Pic O' the Week


Image Taken From http://www.motivatedphotos.com/?id=65641

Princess Mononoke Review



Princess Mononoke, where do I begin? This is a movie produced by Studio Ghibli, and created by the most immaculate of anime and manga creators, Hayao Miyazaki. Princess Mononoke is a beautiful two hour movie about a man who is cursed, and though he cannot change his destiny, he can rise to meet it.

It’s set in a place where gods and demons still roam the deep, lush forests of earth, their forms being extremely large and intelligent animals. The gods have the ability to speak and communicate with humans, however they rarely meet one worth talking to.

That is until Ashitaka, one of the main characters, ventures into their forest. On average this forest is impossible to pass, but Ashitaka asks the forest spirits to help guide his dangerous travel and they do not let him down. After Ashitaka miraculously emerges from the woods he encounters a human civilization called Iron Town.

Iron Town is best known for, you guessed it, the iron it produces. Other villages are jealous of the profit made by this town and try to take it for themselves, but with both the men and women of iron town fighting them off it is basically impossible. There is however, like in most progressive situations, a catch to this Industrial long striding.

Sadly, it’s that the environment must suffer for humanities’ progress. The gods of the forest are not happy with the situation, as the iron that the town needs to mine is located underneath the forest, thus the trees and plants must be uprooted and the woods destroyed, all for the sake of the industry. They decide the only way to protect the forest is to go to war, humans are too stupid to talk to rationally with something as important as the future of the woods and the natural world. They fight it out, and at first the gods are doing well. But then the leader of Iron Town, Lady Eboshi, emerges onto the screen, equipped with guns. When fighting a group of people… weapons help. Lady Eboshi drives them off and the forest is safe to destroy once more.

The most beautiful aspect of this anime is that there is no good side and bad side. There never is in a Miyazaki movie. You couldn’t possibly make this a black and white situation whether you’re naturally on the human side of the forest’s side.

For instance, you may hate Lady Eboshi for killing the forest, but it is hard not to have a deep respect for her when you learn she hires brothel girls for her iron company so they no longer have to sell themselves to get by, and that she cleaned, bandaged, and employed lepers to design her guns when no one else would even make eye contact with the people for fear of catching their disease. She’s a great and strong leader, but she cares more for her people than the environment. Then there’s Moro, she’s the main god in this particular forest.

She’s a huge white wolf with strong protective qualities and a dangerous personality. It is her self assigned duty towards the forest to protect and fight for it when it needs her. She could kill a human easily and often threatens Ashitaka. It wouldn’t be that hard to hate her, then you learn about the human child she’s raised since it was just a baby.

Moro came across a human couple and they were stricken with terror at the sight of her, they left their baby behind as a distraction while they ran for their lives. Moro felt sympathy for the child and raised her as her own, she raised her as a wolf. The baby, now adult’s, name is San Mononoke, and with Ashitaka she is the link between the natural world and the world that human’s have created.

This movie contains some of the most beautiful art work I have ever seen, a feat which Miyazaki throws at his viewers time and time again with every movie. The landscape is breathtaking and realistic. Whether you grade this movie for emotion, music, plot, or artwork, this movie deserves five out of five stars.

(Images taken from freewebs.com)